It seems that the trees are talking
to each other – but not to us.
So say the scientists, but I say
that today as I walked through birches,
I heard them whisper a soft greeting.

She tells me “This room is unbalanced.
Avoid placing your bed under ceiling features.
No water pictures. Get rid of clutter.
No plants, flowers, books, or electronics here.”
I lie on the bed, feeling unbalanced.
The Chinese words “feng” and “shui” translate to mean “wind” and “water,” respectively. This concept is derived from an ancient poem that talks about human life being connected and flowing with the environment around it. In the philosophy of feng shui, arranging the pieces in living spaces can create balance with the natural world, harness energy forces and establish harmony between you and the environment.
In my mind, it is connected to the Tao, which translates to mean “the way.” Taoism is the way of nature.
For those who truly follow feng shui principles, they can be used to design towns, homes, rooms, and even the desk and area where you work. The placement of ancient Chinese grave sites used this philosophy in order to bring positive chi to a grave.
For an American practitioner, it will probably mean getting rid of things.
After weeks of dry weather, the rain
falls on dry grass, stone, soil, flowers –
sending a fragrance to the playing child
and rising to the gods who once
were the only ones so naturally perfumed.
That pleasant-to-some-of-us smell that can accompany the first rain after a long period of warm, dry weather has been given the name “petrichor” (PET-ri-kuhr). It is a modern word, taken from the Ancient Greek words πέτρα (pétra) ‘rock’ or πέτρος (pétros) ‘stone’, and ἰχώρ (ikhṓr), which was said to be the blood of the gods in Greek mythology. This unique, earthy fragrance comes from rain combined with plant oils, compounds in the dry soil, the ozone in the air, and geosmin from soil that is released into the air.
Migrating in the fall to escape winter,
living only two to six weeks except
for the last generation of the year,
which can live perhaps nine months.
I need flight, escape, migration, a warmer gathering.
Migrating monarchs – via Flickr
It was meant to end this spring.
It was left fallow, without any sowing,
and it allowed for recovery, retaining essentials,
disrupting lifecycles of pathogens by removing hosts.
There is hope with any new growth.
SOME BACKGROUND:
Though I was inspired by a field I saw that had been left fallow – unplanted – last year, the poem is also about the past year of pandemic. We were hopeful that the year of that would come to an end after being fallow. Spring is a hopeful time, but I’m still not sure how much new growth we’ll see this year or what we may be able to harvest at the end of 2021.